The Death of Socrates

Phaedo

Platoc. 385 BCE
Ancient GreeceHardDialogueAncient GreekMedium · 105 pages
Influence89th pct
Popularity41st pct

Read this if you…

  • want to hear arguments on immortality of the soul
  • want to see how Socrates triumphantly reasons about and accepts death
  • want context for later Christian views of the soul

Skip this if you…

  • don't like quasi-religious discussion of immortal souls

Why It Matters

Plato wrote the most famous death scene in philosophy: Socrates calmly arguing for the immortality of the soul while drinking hemlock. The dialogue's arguments about what happens after death shaped Christian theology, Islamic philosophy, and two millennia of Western thinking about the soul. It is philosophy at its most dramatic and most human.

The Groblé Take

Cool ancient meditation on the soul and death

Connections

Where to go next

Built Onwhat came beforePhaedoThe OdysseyAesop’s Fables

  • The Odyssey by Homer. Phaedo built on it. - Socrates argues that the soul commands the body — and he proves it with Homer - The deathbed scene quotes Odysseus rebuking his own heart (Odyssey 20.17–18) to demolish Simmias' claim that the soul is just the body's harmony - Knowing the *Odyssey* moment lets you feel why Plato reached for it: the hero overruling his own rage is the soul-over-body picture in a line
  • Aesop’s Fables by Aesop. Phaedo built on it. - The *Phaedo* opens with Socrates versifying Aesop in his cell — Plato names the fabulist and adapts him on the page (60b–61b) - Watch Socrates spin an Aesopic observation of his own, on how pleasure and pain are bound together at the head - Knowing the fables makes the moment land: the simplest popular form, pressed into service at the threshold of death
Gallery

Depicted in Art

Socrates sits upright on his prison cot, one hand reaching for the cup of hemlock, the other raised mid-argument; his grieving disciples cluster around him.

Jacques-Louis David, 1787

Socrates seated in a dark interior looks sideways toward a shaft of light from the window, calmly raising the chalice to his lips as followers grieve.

Charles-Alphonse Dufresnoy, 1650

Socrates is already dead, lying back on the cot, his body lit theatrically while his anguished followers throw up their hands around him.

Giambettino Cignaroli

Bas-relief: the dead Socrates lies extended on the cot as Crito leans in to close his eyelids with a gentle hand.

Antonio Canova, 1792

Socrates upright on his cot grips the cup; one disciple recoils at left, another buries his head against the wall, a third reaches out from the right.

Jacques-Philip-Joseph de Saint-Quentin, 1762

Socrates lies dead full-length on the cot, head fallen back, as his disciples lean over him in collective lamentation.

Vincenzo Camuccini

Editions

Recommended Editions

#1Top Pick

G.M.A. Grube

Hackett Publishing · 2000

Grube in Hackett's Five Dialogues. The death scene is devastating in any translation, and Grube's plain philosophical prose lets it land without varnish. Same volume as Apology and Crito, which is how you'd want to read them anyway.

#2

David Gallop

Oxford University Press · 2009

#3

Eva Brann, Peter Kalkavage, and Eric Salem

Focus Publishing · 1998

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Deep Dive

What It's About

Spoiler warning

This summary gives away plot details.

Notable Quotes

Crito, I owe a cock to Asclepius; will you remember to pay the debt?

Socrates' last words · trans. Jowett

Allegra, we owe a rooster to Asclepius. Pay it and do not neglect it.

Socrates' last words (Crito variant)

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