2 Corinthians
This is where the idea of strength through weakness gets worked out, and it became central to how Christians think about the spiritual life.
Read this if you…
- want Paul at his most personal, defensive, and emotionally raw
- curious about the "thorn in the flesh" (Paul never tells us what it was)
- like the paradox of divine power made perfect in human weakness
Skip this if you…
- don't want to read explicitly religious/Christian texts
Why It Matters
This is where the idea of strength through weakness gets worked out, and it became central to how Christians think about the spiritual life. Paul's image of the apostle as 'treasure in earthen vessels' shaped Christian ideas about leadership, suffering, and being honest about your own limits.
Where to go next
- The Divine Comedy by Dante Alighieri. 2 Corinthians shaped it. - Paul's single strange sentence — *caught up to the third heaven*, 2 Corinthians 12 — became Dante's license to write Paradise - Dante names him directly: *Io non Enea, io non Paulo sono*, "I am not Aeneas, I am not Paul" — measuring his own pilgrim against Paul's rapture - The *Comedy*'s tiered heavens and ascending vision take this Pauline glimpse beyond the body as their precedent
- Confessions by Augustine of Hippo. 2 Corinthians shaped it. - The Pauline grace that the Platonist books could not give Augustine - 2 Corinthians runs through the *Confessions* — "so long as I be absent from You, I am more present with myself than with You" (5:6) anchors Book X, with 1:11 and 6:10 woven alongside - Paul's "earnest of the Spirit" and walking "by faith, not by sight" supply the language Augustine reaches for when reason runs out
- Pride and Prejudice by Jane Austen. 2 Corinthians shaped it. - Paul's warning that "Satan disguises himself as an angel of light" (11:14) is the line Austen reaches for when Wickham's charm is finally exposed - *Pride and Prejudice* brands the fallen seducer "almost an angel of light" — a quiet biblical brand that tells you exactly how to read his good looks
Depicted in Art
Paul sits in a darkened cell, pen and codex on his lap, a sword leaning beside him — caught mid-composition by a shaft of light from a small window.
Rembrandt van Rijn, 1627
Paul stands on a stone platform in a Greek square, arms raised, preaching to a half-circle of Athenians — the canonical Renaissance image of Paul's Greek mission.
Raphael, 1515
Paul stands with arm outstretched, exhorting a seated crowd of Thessalonians — figures lean in, faces lit; the apostle gestures upward as he preaches.
Gustave Doré, 1866
An elongated Paul gestures toward an open letter inscribed with his own writing — the apostle pictured as author of the epistles.
El Greco, 1610
John stands at the front holding an open New Testament, reading the opening verses of his Gospel; Peter looks over his shoulder holding the golden key.
Albrecht Dürer, 1526
Recommended Editions

King James Version
Cambridge University Press · 1611
The most influential and commonly quoted translation in English. The prose rhythm everyone else is responding to, even modern translations.
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Deep Dive
What It's About
This summary gives away plot details.
Notable Quotes
“My grace is sufficient for thee: for my strength is made perfect in weakness.”
“There was given to me a thorn in the flesh, the messenger of Satan to buffet me.”
More by Paul
- Galatians
c. 50 · Epistle
- 1 Thessalonians
c. 51 · Epistle
- 2 Thessalonians
c. 51 · Epistle
- 1 Corinthians
c. 54 · Epistle
- Romans
c. 57 · Epistle
- Philemon
c. 60 · Epistle
- Philippians
c. 61 · Epistle
- Colossians
c. 62 · Epistle
- Ephesians
c. 62 · Epistle
- 1 Timothy
c. 63 · Epistle
- Titus
c. 63 · Epistle
- 2 Timothy
c. 64 · Epistle
- Hebrews
c. 65 · Epistle