
Henry IV, Part Two
Shakespeare finishes his big portrait of political crisis and succession: Henry IV's uneasy crown, Hal's slow road to maturity, and Falstaff going from lovable rogue to pathetic hanger-on.
Read this if you…
- want all the Falstaff plays (this is 2nd best)
- are invested in the plot of Henry IV (or want the prequel to Henry V)
Skip this if you…
- aren't willing to go slow, read notes, look up analyses of famous passages (only way to "get" shakespeare)
- foolishly think shakespeare is overrated
- don't care about shakespeare's best prose that much (I personally don't, i like his verse way better)
Why It Matters
Shakespeare finishes his big portrait of political crisis and succession: Henry IV's uneasy crown, Hal's slow road to maturity, and Falstaff going from lovable rogue to pathetic hanger-on. The rejection of Falstaff at the end is one of the most argued-about moments in all of Shakespeare. The play is the bridge it needs to be, carrying you from the comedy of Part One to the epic of Henry V.
The
Take
This one was pretty weak for me, and confusing what happened. That was hilarious that Shakespeare put epilogue in apologizing for it not being that good, I appreciated that. Uneasy lie the head that wears the crown is an all time line though
Where to go next
- The Gospels by Matthew. Henry IV, Part Two built on it. - Falstaff's wit is soaked in scripture — his glutton-in-hell taunts are lifted straight from Luke's parable of Dives and Lazarus, and they land sharper when you know the source - Hal's turn from tavern reprobate to king is the Prodigal Son retold; *The Gospels* supplied the template for the redemption Shakespeare dramatizes - Read the parables first and the play's spiritual machinery clicks into place
Depicted in Art
The frail recruit Wart shoulders a musket while Bardolph and Falstaff drill him in front of an amused Justice Shallow on a country lane.
John Cawse, 1827
The newly crowned Henry V, in coronation robes, turns away from the kneeling Falstaff with the line 'I know thee not, old man' as Pistol and Bardolph look on.
Robert Smirke, 1795
Doll Tearsheet and Falstaff sit close together in the tavern as Mistress Quickly fusses behind them and Hal and Poins eavesdrop from a doorway.
Thomas Stothard
Detail of Doll Tearsheet seated on Falstaff's knee, laughing as he drinks, from Grützner's tavern composition.
Eduard von Grützner
Doll Tearsheet sits on Falstaff's knee in the Boar's Head Tavern as Prince Hal and Poins, disguised as drawers, watch from behind.
William Satchwell Leney, 1795
Pistol bursts into Shallow's orchard waving his hat as Falstaff rises from the table, realizing his prince is now king and his fortune made.
John Cawse, 1820
Recommended Editions

Folger Shakespeare Library
2004
Folger's the readable one. Text on one page, notes on the facing page, written in plain English instead of textbook-speak. Catches every word and reference you'd otherwise google, without breaking the scene to do it.
SparkNotes (No Fear Shakespeare)
2003
Please support us by purchasing through these links, at no extra cost to you!
Deep Dive
What It's About
This summary gives away plot details.
Notable Quotes
“Uneasy lies the head that wears a crown.”
“We have heard the chimes at midnight, Master Shallow.”
More by William Shakespeare
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- King Henry VI, Part 2
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- King Henry VI, Part 3
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- The Taming of the Shrew
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- Henry VI, Part 1
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- Titus Andronicus
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- Richard III
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- Love's Labour's Lost
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- The Comedy of Errors
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- A Midsummer Night’s Dream
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- Richard II
c. 1595 · History Play
- Romeo and Juliet
c. 1595 · Tragedy
- King Henry IV, Part 1
c. 1596 · History Play
- King John
c. 1596 · History Play
- The Merchant of Venice
c. 1596 · Comedy
- The Merry Wives of Windsor
c. 1597 · Comedy
- Much Ado About Nothing
c. 1598 · Comedy
- As You Like It
c. 1599 · Comedy
- Henry V
c. 1599 · History Play
- Julius Caesar
c. 1599 · Tragedy
- Hamlet
c. 1600 · Tragedy
- Twelfth Night
c. 1601 · Comedy
- Troilus and Cressida
c. 1602 · Satire
- Othello
c. 1603 · Tragedy
- All's Well That Ends Well
c. 1604 · Comedy
- Measure for Measure
c. 1604 · Comedy
- King Lear
c. 1605 · Tragedy
- Antony and Cleopatra
c. 1606 · Tragedy
- Macbeth
c. 1606 · Tragedy
- Timon of Athens
c. 1606 · Tragedy
- Pericles
c. 1607 · Romance
- Coriolanus
c. 1608 · Tragedy
- Shakespeare's Sonnets
1609 · Lyric
- Cymbeline
c. 1610 · Romance
- The Winter's Tale
c. 1610 · Romance
- The Tempest
c. 1611 · Romance
- Henry VIII
c. 1613 · History Play
- The Two Noble Kinsmen
c. 1613 · Romance
