Read this if you…
- want an unhinged horrific plot
Skip this if you…
- aren't willing to go slow, read notes, look up analyses of famous passages (only way to "get" shakespeare)
- foolishly think shakespeare is overrated
- don't like horrible gore and tragedy
- haven't read all the classic tragedies (this one is near the bottom)
Why It Matters
Shakespeare's first tragedy is a blood-soaked revenge play that out-gored everything else on the Elizabethan stage. It's raw, over the top, and shamelessly sensational, and it was a huge hit. What matters is that you can see Shakespeare here learning to push extreme emotion through dramatic structure, the skill he'd nail down in the great tragedies.
The
Take
Lots of murders makes it a quick fun read, but nothing is that clever. So much death though which is fun
Where to go next
- Metamorphoses by Ovid. Titus Andronicus built on it. - *Titus Andronicus* is Ovid's Philomela story staged at full volume — the *Metamorphoses* is the book the play hands its audience - The rapists Chiron and Demetrius take Tereus as their conscious model, cutting out Lavinia's tongue *and* her hands so she can't weave the truth - Read the Philomela myth (Book VI) first and the play's whole machinery of mutilation and revenge clicks into place
- The Aeneid by Virgil. Titus Andronicus built on it. - The Roman revenge play is built on Virgil — Titus shadows Aeneas, and Tamora shadows Dido, who is named twice - Alarbus's ritual sacrifice grimly recalls *Aeneid* XI, and Aeneas's account of Troy's fall is woven directly in - Read Virgil first and you see what Shakespeare is darkening: the epic's pious hero turned loose into cruelty
Depicted in Art
Aaron holds Tamora's newborn child against his chest, dagger drawn, facing down Chiron and Demetrius and the nurse who would have killed the infant.
Thomas Kirk, 1796
Lavinia kneels imploring at Tamora's feet as Chiron and Demetrius look on, ready to drag her into the woods.
Anker Smith (after Samuel Woodforde), 1793
Frontispiece illustration accompanying the play in Rowe's 1709 Works of Shakespeare — the play's first engraved scene in any edition.
Nicholas Rowe edition (anonymous), 1709
Engraving depicting Tamora's cruelty to Lavinia from the Boydell-tradition reproduction in the 'Album dramatique' of Shakespeare scenes.
Unknown
Tamora kneels pleading before Titus while her bound sons Chiron and Demetrius crouch behind her; Aaron stands armed at the right, pointing toward them.
Henry Peacham, 1595
Recommended Editions

Folger Shakespeare Library
2005
Folger's the readable one. Text on one page, notes on the facing page, written in plain English instead of textbook-speak. Catches every word and reference you'd otherwise google, without breaking the scene to do it.
SparkNotes (No Fear Shakespeare)
2003
Please support us by purchasing through these links, at no extra cost to you!
Deep Dive
What It's About
This summary gives away plot details.
Notable Quotes
“I have done a thousand dreadful things as willingly as one would kill a fly.”
“Tut, I have done a thousand dreadful things As willingly as one would kill a fly, And nothing grieves me heartily indeed But that I cannot do ten thousand more.”
More by William Shakespeare
- The Two Gentlemen of Verona
c. 1590 · Comedy
- King Henry VI, Part 2
c. 1591 · History Play
- King Henry VI, Part 3
c. 1591 · History Play
- The Taming of the Shrew
c. 1591 · Comedy
- Henry VI, Part 1
c. 1592 · History Play
- Richard III
c. 1593 · History Play
- Love's Labour's Lost
c. 1594 · Comedy
- The Comedy of Errors
c. 1594 · Comedy
- A Midsummer Night’s Dream
c. 1595 · Comedy
- Richard II
c. 1595 · History Play
- Romeo and Juliet
c. 1595 · Tragedy
- King Henry IV, Part 1
c. 1596 · History Play
- King John
c. 1596 · History Play
- The Merchant of Venice
c. 1596 · Comedy
- Henry IV, Part Two
c. 1597 · History Play
- The Merry Wives of Windsor
c. 1597 · Comedy
- Much Ado About Nothing
c. 1598 · Comedy
- As You Like It
c. 1599 · Comedy
- Henry V
c. 1599 · History Play
- Julius Caesar
c. 1599 · Tragedy
- Hamlet
c. 1600 · Tragedy
- Twelfth Night
c. 1601 · Comedy
- Troilus and Cressida
c. 1602 · Satire
- Othello
c. 1603 · Tragedy
- All's Well That Ends Well
c. 1604 · Comedy
- Measure for Measure
c. 1604 · Comedy
- King Lear
c. 1605 · Tragedy
- Antony and Cleopatra
c. 1606 · Tragedy
- Macbeth
c. 1606 · Tragedy
- Timon of Athens
c. 1606 · Tragedy
- Pericles
c. 1607 · Romance
- Coriolanus
c. 1608 · Tragedy
- Shakespeare's Sonnets
1609 · Lyric
- Cymbeline
c. 1610 · Romance
- The Winter's Tale
c. 1610 · Romance
- The Tempest
c. 1611 · Romance
- Henry VIII
c. 1613 · History Play
- The Two Noble Kinsmen
c. 1613 · Romance
