Much Ado About Nothing
The wittiest romantic comedy in English.
Read this if you…
- want the classic "couple who hate each other slowly realize meant for each other"
Skip this if you…
- aren't willing to go slow, read notes, look up analyses of famous passages (only way to "get" shakespeare)
- foolishly think shakespeare is overrated
- don't like his comedies compared to his tragedies
Why It Matters
The wittiest romantic comedy in English. Beatrice and Benedick trading words is the template for every sparring couple in fiction after them, from Elizabeth Bennet and Darcy to every screwball movie. The play showed that love stories work best when both people are smart enough to put up a fight. The dialogue is some of the funniest Shakespeare ever wrote.
The
Take
Great one, good schemes, some great pithy lines that are SO TRUE. The idiot watchmen were funny too
Where to go next
- Metamorphoses by Ovid. Much Ado About Nothing built on it. - The classical wit flying between Beatrice and Benedick is stitched from Ovid — the Hercules and Omphale gibes draw directly on the *Metamorphoses* - Even 'Hero' is an Ovidian name, pulled from his tradition of the abandoned woman - Shakespeare read Ovid in Latin and in Golding's 1567 translation; reading the *Metamorphoses* first lets you hear how deep that classical seam runs under the comedy
Depicted in Art
The church scene: Hero collapses at the altar as Claudio repudiates her, while Beatrice rushes to catch her and Benedick stands stunned.
Alfred Elmore, 1846
Beatrice crouches behind foliage in the orchard, eavesdropping on Hero and Ursula's planted conversation.
John Jones, 1771
Beatrice peers from behind a tree in a sunlit garden as Hero and Ursula sit on a bench discussing her in the foreground.
John Sutcliffe, 1904
Claudio publicly turns on Hero at the wedding altar, denouncing her as she stands shocked and her family looks on in horror.
Marcus Stone
A half-length portrait of Beatrice in Elizabethan dress, gazing off with a wry expression.
John William Wright, 1849
Benedick, hidden in the garden, eavesdrops as Don Pedro, Leonato, and Claudio loudly discuss Beatrice's supposed love for him.
Charles Heath
Dogberry and Verges conduct their bumbling examination of the prisoners Conrade and Borachio, exposing the plot against Hero.
Robert Smirke
Recommended Editions

Folger Shakespeare Library
2004
Folger's the readable one. Text on one page, notes on the facing page, written in plain English instead of textbook-speak. Catches every word and reference you'd otherwise Google, without breaking the scene to do it.
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Deep Dive
What It's About
This summary gives away plot details.
Notable Quotes
“Sigh no more, ladies, sigh no more, Men were deceivers ever, One foot in sea and one on shore, To one thing constant never.”
“Kill Claudio.”
More by William Shakespeare
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