Falstaff, Prince Henry and Poins at the Boar's Head Tavern (engraved by Robert Thew)

King Henry IV, Part 1

Influence22nd pct
Popularity24th pct
Shakespeare

Read this if you…

  • want Falstaff's best play
  • want some of Shakespeare's best prose (though I think his verse is way better, so idc about his prose)
  • want a top 3 Shakespeare History play

Skip this if you…

  • aren't willing to go slow, read notes, look up analyses of famous passages (only way to "get" shakespeare)
  • foolishly think shakespeare is overrated

The Groblé Take

Falstaff is an awesome character, but overall the storyline didn’t really grab me. Falstaff was the only character I was really interested in. Hotspur was alright

Connections

The lineage through King Henry IV, Part 1

Built Onwhat came beforeKing Henry IV, Part…The Gospels

  • The Gospels by Matthew. King Henry IV, Part 1 built on it. - Prince Hal is the Prodigal Son in a tavern — knowing Luke 15 first tells you exactly where his slumming is headed - Falstaff name-checks the Gospels constantly: soldiers 'as ragged as Lazarus' (Dives and Lazarus, Luke 16), 'tattered prodigals' down to husks (Luke 15) - Shakespeare's audience heard the parables under every scene; the redemption arc is the parable of the wayward son, scaled up to a crown
Gallery

Depicted in Art

The Boar's Head Tavern in Eastcheap; a corpulent Falstaff gesticulates as he tells his fabricated story of the Gadshill robbery while Prince Hal and Poins look on, amused.

Robert Smirke, 1796

Falstaff, sword drawn for emphasis, recounts his wildly inflated version of the Gadshill robbery to Prince Hal and Poins at the tavern.

Thomas Stothard, 1827

The frail recruit Wart shoulders a musket while Bardolph and Falstaff drill him in front of an amused Justice Shallow on a country lane.

John Cawse, 1827

Compositional drawing of Falstaff holding court at the Boar's Head Tavern in Eastcheap, surrounded by his hangers-on.

Robert Smirke, 1807

Costumed actors Dowton (as Falstaff, drinking) and Smith (as red-nosed Bardolph) caught in a moment of stage business.

George Clint, 1815

A theatrical group portrait — Falstaff at center, mid-boast, with Prince Hal and Poins ready to spring the trap of their counter-narrative.

George Clint, 1833

Falstaff points and laughs at Bardolph's famously inflamed red nose, comparing it to a death's-head or a hellfire-warning lamp.

John Cawse

Editions

Recommended Editions

#1Top Pick$9.99$9.31

Folger Shakespeare Library

2004

Folger's the readable one. Text on one page, notes on the facing page, written in plain English instead of textbook-speak. Catches every word and reference you'd otherwise Google, without breaking the scene to do it.

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Notable Quotes

The better part of valour is discretion.

Falstaff, Henry IV, Part 1
AcclaimPraised by 6 notable voices
  • Queen Elizabeth I, Queen of England, 1533–1603: So delighted by Falstaff in Henry IV that she commanded a play showing him in love — by tradition the origin of The Merry Wives of Windsor.
  • Samuel Johnson, critic & lexicographer, 1709–1784: "Falstaff, unimitated, unimitable Falstaff, how shall I describe thee? Thou compound of sense and vice."
  • Orson Welles, filmmaker & actor, 1915–1985: "Falstaff is the greatest conception of a good man, the most completely good man in all drama."
  • Giuseppe Verdi, composer, Falstaff / Otello / Macbeth, 1813–1901: "My Falstaff is not merely the buffoon of The Merry Wives of Windsor, but also the Falstaff of the two parts of Henry IV."
  • John Goodman, actor, Roseanne / The Big Lebowski, 1952–: "My favorite role was Falstaff at the Old Globe Theatre in San Diego. I was too young to completely appreciate it, but it felt good."
  • Harold Bloom, literary critic, Yale, 1930–2019: "Falstaff is the mortal god of my imaginings."

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